It makes sense that The Garden of Earthly Delights is Bosch's most well-known piece of art. It's grand scale allows for an in depth integration of detailing in both its content and method of construction. From the exterior to the interior Bosch has constructed the peace in such a way where from an observer's perspective he makes apparent the idea of chronology in his representation of ideas.
On the outside, when the two side panels are closed we see an encased world. This world is void of life both literally and figuratively. When we think of the idea of time it is very possible that Bosch's placement of this sort of globe-like and desolate world takes place before the scenes followed by it on the interior panels. Since its not on the back of the triptych we can eliminate any Armageddon scenarios that Bosch may be alluding to.
When we open the piece we see a depiction of Adam and Eve on the left. By the way Eve's hand is holding God's it is possible that this is her first time meeting Adam. The center panel is particularly interesting in that is appears to be where the vividness and soul of the piece originates. It is not likely that Bosch attempted to make it appear as though a humongous orgy was taking place. Nonetheless, those were my first thoughts when peering eyes on it. If nothing else it is surly a celebration of some sort.
The last panel on the right brings together all the scenes. The depiction of damnation here reverberates the idea of chronological order and the idea of bringing things full circle.
Overall the piece may ultimately serve as a premonition: a kind warning of what life can turn into...
Sunday, November 16, 2008
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